Kokone is distracted from making a decision about where to attend university after graduation when her father is mysteriously arrested and men she has never seen before arrive at her house to steal his tablet. It all seems connected to a parallel world she experiences in her dreams, but how?
Napping Princess has a slow start, as it builds not one but two worlds, trying to tease the audience without giving too much away. Kokone’s dream world ‘Heartland’ feels like a very standard anime fantasy world but it offers up lots of visually spectacular moments such as the Princess Ancien (the heroine in Kokone’s dream world) sneaking back to her room after using magic when she’s not supposed to. Personally though, I prefer Kokone’s awake ‘real world’ scenes for the majority of the film, perhaps because the plot and character relationships are more clearly established.
Two things pleasantly surprised me about this film. The first is that the humour is pretty good, and there were many more laugh out loud moments than I expected. Early in the film, after her father has been arrested, Kokone has to try and hide and escape from men she doesn’t recognise who come to the house in search of her father’s tablet. Some silly slapstick ensues as she tries to fit herself around corners and into cupboards while they search. I particularly loved that the film openly makes jokes about the men being the stereotypical ‘dumb goons’, even down to one moment when one of the men demands to know why he wasn’t warned about Kokone coming to steal the tablet back, and the goon tells him he didn’t want him to be upset so he said nothing.
The second thing I really enjoyed was Kokone’s friendship with Morio, an old friend she reconnects with, who helps her on her quest to uncover the truth behind the tablet and rescue her father. Even though there’s a moment where they have to nap in a motorbike together and Kokone tells him not to touch her butt, the movie doesn’t feel the need to shove them together romantically just because it can, which is always refreshing to see.
The ending of this movie is a pretty strong payoff as it ties in themes of family, and tradition versus embracing the modern with an obvious but brilliant metaphor. Some of the plot devices along the way feel a bit too convenient – Kokone doesn’t know anything about her deceased mother because her father won’t talk about him, but it seems unlikely she never would have tried to find out more about her by herself, especially in the age of the internet when you can easily google people. Still, in spite of some of the slightly far-fetched plot elements this film is an enjoyable ride, and it offers lots of laughs and some great anime visual spectacle too. Definitely worth seeing for any anime fan.