Mitsuha is sick of her life out in the sticks, and not even having a cafe or bookstore in her little town. She passionately declares one night “Make me a Tokyo boy in my next life!” And then she wakes up the next morning…in a Tokyo boy’s body. Taki, the boy in question, is an average teen making the most of city life, enjoying fancy treats after school with his friends which he pays for via a waiter job at a nice restaurant.
Your Name immediately takes advantage of all of the comedic value of an unexpected body swap. Mitsuha and Taki are both in the throes of puberty and still discovering their own bodies, so waking up inside the opposite sex’s has an extra layer of hilarity. One of the film’s running gags features Mitsuha (sometimes herself, sometimes Taki) waking up each morning and fondling her own breasts.
Mitsuha and Taki’s friends tell them that they’ve noticed a change in their personalities, and once the pair discover that what they thought were incredibly realistic dreams is actually the two of them swopping bodies, they try to ensure their lives don’t become messier than needed, leaving notes for each other to read on their bodies, and sometimes on their phones. Unfortunately, the two of them never remember each other’s names when they wake up back in their own bodies, prolonging the suspense as they don’t know whose life it is that they keep finding themselves in the middle of.
The film doesn’t focus too deeply on the effects their swapping has on each other’s lives, but it does show the obvious awkwardness of them having to ask their friends questions like “Where do I work?”and having to juggle things that are completely foreign to them – Taki attempting a traditional weaving technique is contrasted against Mitsuha running around like a headless chicken in Taki’s job. In spite of their superficial differences, the universality of their adolescent feelings shines through – Mitsuha manages to get Taki a date with his long-time crush while inhabiting his body, but realises once she’s back in her own body that she’s actually quite jealous.
The second half of Your Name takes a more serious turn than I had expected, dealing with a thread about a comet set up from the beginning. The film uses this to further expand on its themes of family, duty, and love and open out the film to a grander scale, and build much higher stakes. There are a lot of very Japanese themes thrown into the second half (I won’t spoil them here) which is one of the things bound to help this film stand the test of time as a Makoto Shinkai classic.
Your Name is visually spectacular. The contrast of city life to country life is stunningly illustrated. Taki’s hectic urban jungle is brilliantly showcased, each sharp angular line of the skyscrapers and twinkling city lights popping off the screen. Mitsuha’s verdant town is a lush delight, and I also really loved seeing the details of her traditional life, such as when she performs a traditional Japanese ritual in her family’s shrine. I also love that the film makes multiple references to the red string of fate, inserting the symbolism in a beautifully simple but striking way throughout the film.
A gorgeous anime needs a great soundtrack and this one does not disappoint! As well as some beautiful strings pieces that really evoke the nature scenes of Mitsuha’s beautiful rural town, RADWIMPS, a Japanese rock band, offer some furiously energetic pop tracks for the chaotic life-swapping scenes of Mitsuha and Taki’s teenage lives. I’ve included the trailer below which features one of the brilliant RADWIMPS tracks.
From Garden of Words and 5 Centimetres Per Second, to Your Name, Makoto Shinkai seems to be continually building on his work, with each anime offering a greater and greater emotional scope that extends into impressive far-reaching themes of the traditional against the modern, long distance love, and figuring out our place in the world.
I love everything about Your Name: its staggeringly beautiful animation, its expressive characters with deep hearts and its moving soundtrack. It’s Japan’s highest grossing movie of 2016, if you haven’t already watched it, what are you waiting for?